Prologue
Quivering
During
the opposition of 1954 many thousand photographs were taken of Mars
through various coloured filters. Astronomers were vastly intrigued
by a 'W' shaped cloud 1,100 miles long which lasted from June to
July and obscured the planet as though on purpose; the more romantic
observers were struck by the fact that since the telescopic image
is inverted the cloud was really an 'M'. 'M' for Mars? Who knows?
- W.R. Drake, Gods or Spacemen, 1964
one
The
city quivers.
Great waves of heat roll in off the Atlantic and burst against
the tall white concrete slabs of the downtown business area. And
still it is only eight o'clock on a November morning: by noon the
streets will be hell. It is sure as all Judas going to be one awful
day.
Officer Hotchkiss of the Hornsville Police Department leans
against the corner of 43rd and 5th and scratches his armpit ruminatively.
Another half hour or so and he'll be going off duty. The night hasn't
been too bad, all things considered - just the usual bunch of drunks,
junkies, brawls, suicides, riots and psychopaths - but still he's
looking forward to knocking off and getting some shuteye. Then maybe
he can play with the kids for a while - a habit his superiors ignore.
Suddenly his slumping form tenses, and his hooded eyes are
instantly alert. Down the deserted street towards him comes a bizarre
figure, over six feet tall and dressed entirely in black, with a
bushy black beard obscuring most of the face. The man - if man it
is - is singing to himself in a soft falsetto voice, crooning as
if to an unseen child; and, as he moves his hands in time to the
song, little lightning flashes emanate from his fingertips. But
that is not the thing that is so strange about him: there is a sort
of crackling blue aura surrounding his body closely, displaying
the same kind of discontinuity you see when a movie special-effects
man superimposes an actor upon an artificial background.
Officer Hotchkiss decides that he is confronted by a lunatic.
Fully awake now, he ambles purposefully towards the macabre
stranger, his right hand never straying far from the bulky revolver
on his belt.
'Hello there, stranger,' he drawls through pursed lips.
The tall man ignores him and keeps on walking, so that Hotchkiss
is forced to trot alongside like a small boy out for a stroll with
his father.
'Stranger,' he pants, 'you sure as hell better stop right
there and listen to what I've gotta say to you.'
The tall man stops and looks around him, as if suddenly becoming
aware of an incongruous note in an otherwise perfect natural harmony.
His eyes eventually alight on Hotchkiss, and he steps patronizingly
towards the burly police officer, his hand extended in pseudo-friendship.
'That's close enough, buddy,' says the cop.
The stranger stops, his hand still outstretched.
'Who are you, buddy? Where do you come from?'
Hotchkiss knows his voice sounds nervous, but he is totally
unable to control it. Close up, the man looks less like a harmless
lunatic, more like one of those who should be locked up somewhere
and forgotten about. Behind the black beard - which is obviously
false - the face is of a strange blue hue, and in it is set a pair
of the most startlingly green eyes Hotchkiss has ever seen. Another
disconcerting fact is that the man's mouth appears to be designed
to open sideways. And his breath smells like a linoleum factory.
'Who am I?' repeats the dark figure. 'And where do I come
from? Why, I'll answer your second question first if I may, for
that is the topsy-turvy nature of this acausal Universe and all
that in it lies, is it not?'
'Yeah,' says Hotchkiss, stalling for time.
'My,' says the stranger, ''tis truly a difficult question,
my dear friend, for its most truthful answer would be that I come
from nowhere.'
Hotchkiss has his notebook ready. 'Which Nowhere would that
be?' he says harshly, sarcastically.
'Ah, you jester,' says the tall man. 'When I say "nowhere",
why!, I mean - tra la - nowhere!'
The cop breathes a deep sigh. 'OK, buster,' he says at last,
'just tell me your name and stuff the metaphysics, right?'
'My name?' The stranger pauses for a moment, and his phosphorescent
eyes rake the distant skyline thoughtfully. 'I suppose that you
would call me "Death".'
Hotchkiss finds himself writing 'D-E-A- . . .' before he realizes
quite what he is doing. Then, with a resigned smile, he tucks his
notebook away in his pocket and draws out his revolver.
'All right, numbskull, you got a choice. Either I blast you
here or you come quietly with me down to headquarters and I blast
you there while you're trying to escape.'
'Don't be silly, there's a good fellow,' minces the tall figure.
'There's no way in which you could possibly harm me. See, your silly
gun has turned into a bar of soap already. Besides, I'm much more
powerful than mortals like you could ever hope to be.
'Look.'
The stranger casts his lambent gaze around and spots an old
lady walking her dog on the far side of City Park. He raises one
of his long clawed hands and mutters a strange incantation. From
the tip of his index finger springs a jet of light too bright for
human eye to gaze upon, and the dog instantly disappears in a coruscating
blaze.
'Damn!' says Death. 'Missed her. I must get my fingernails
cut. Anyway, I think I've proved my point.'
He turns to face Hotchkiss, but the cop has collapsed on the
sidewalk.
'Such a pity, darling,' says Death, and he begins to walk
down the street again, singing his strange high song, surveying
the kingdom that will shortly be his.
two
Two
hundred million kilometres above the Atlantic, at that very moment,
Comrade Adrianna Dimpla's lower lip quivered.
'You mean to say,' she blurted hoarsely, in her attractively
guttural Russian accent, 'that there is no alternative?'
'None at all,' replied Colonel Bart Malone, not looking up
from the controls in front of him.
'That the Mary Poppins is going to crash into
your New York City?'
'Sure is, honey.'
'And that the impact is going to knock the Earth right out
of its orbit?'
'That's the general idea.'
'And that all will be blasted to smithereens?'
'Yup.'
'Oh, Bart, I'm frightened!'
It was the first time that the plucky little Russian cosmonaut
had displayed any sign that she was other than a cool, calculating
robot, programmed in the depths of Siberia to perform at all times
with maximum efficiency. Now there were tears starting in her pale
blue eyes as she pushed back from her elegantly structured face
an unruly lock of corn-gold hair.
Her companion on this Russian-American space mission, the
brawny Bart Malone, had not been programmed anywhere, and so he
took the opportunity to eye her appreciatively. Then he turned his
gaze back to the controls, which glowed ominously. It had been only
three hours since the craft had been shaken by a gigantic explosion
from the port retrothruster (or possibly the starboard retrothruster:
it was so difficult to tell because, of course, there's no such
thing as 'up' in space). Since then, with only the one retrothruster
in action, the Mary Poppins had been describing ever-diminishing
circles across the broad fabric of spacetime. According to the data
the computer was spewing out, it could be only a matter of a few
short months before the craft impacted on the Earth at a terrifying
velocity of over five light-hours per day - so fast that the atmosphere
would not have time to burn it up before it reached the ground.
That the resulting explosion would bathe the entire surface of the
Earth in lethal radiation was the very least of the worries, for
the computer had calculated that the sheer force of the impact would
knock the planet into a complicated form of Hohmann transfer orbit,
sending it swooping, repeatedly, close to Venus for several millennia
to come. Malone recalled reading somewhere that, had the meteorite
whose impact formed the Imbrium Basin on the Moon been just a little
larger or a little more swiftly moving, the force of the cataclysmic
collision would have been great enough to shatter that small planet
into pieces. He shuddered: it was not a comforting thought.
'But can't you do something, Bart?' Adrianna Dimpla's dulcet
tones interrupted his chain of thought.
'Not a thing,' he muttered. 'In the ordinary way I would simply
have cut off the starboard retrothruster - or possibly the port
retrothruster, depending upon how you think about it - but I was
in such a hurry to do that I went and broke the switch right off.'
He looked ruefully at the broken piece of plastic in his hand, a
boyish grin puckering his features.
'What about remote control from Houston?' The Russian cosmonaut
was close to tears.
'Nix,' said Malone. 'I knew I should never have converted
the radio into a still.'
'I thought your breath smelled funny sometimes.'
'Yeah, well, baby, I mean, the thought of spending eighteen
months drinking only recycled water was a bit too much for me.'
He shrugged, and hiccupped. Then he leered.
There was a moment's pause, and Adrianna's virgin mind suddenly
began to piece together a number of incongruous events that had
taken place during the mission . . .
Their task had been to sweep out way beyond Mars to the shores
of the asteroid belt, there to use spectrometry to determine, by
examination of the weak sunlight reflected from those tumbling rocks,
whether or not the belt was a valuable source of mineral reserves.
If so, it would be the biggest boost the space program had received
since its initiation, decades earlier; if not, then Man's long adventure
towards the stars would be delayed indefinitely, perhaps for ever
. . .
In fact, the spectroscope had failed to survive the pressures
of blast-off, but by that time it was too late to abort. So, its
mission forgotten, the Mary Poppins had drifted uselessly
along its pre-ordained course, its two bored crew members staring
frustratedly from the viewports at the asteroid belt, whose mysteries
still lay hidden from Man's ken. Maybe the next mission would be
successful where they had failed . . . if ever there was a next
mission.
But the journey had not been totally uneventful. There had
been a few bizarre occurrences - all of them minor - and it was
these which now obtruded themselves into Adrianna's consciousness.
Most mysterious of all was the time when, as she slept, all of her
clothes had been swept out of the airlock by a freak gust from a
nearby cosmic storm. Apparently Malone had been so engrossed in
a game of go with the computer that he had noticed nothing until
it was too late. Fortunately her spacesuit had been saved, but it
was uncomfortable, and often she itched to take it off. Now, she
began to wonder about that cosmic storm . . .
Then there had been Malone's insistence that they both put
their time to good use by wearing the indoctaphones as they slept
- he to learn Russian, she to learn English. She had thought at
the time that the suggestion was odd, since her English, while accented,
was syntactically flawless (except in times of stress), but had
gone along with the idea, assuming that he was simply too embarrassed
to admit that his Russian was not nearly as good as her English.
Now, she began to wonder about those extraordinary dreams
. . .
Strange, too, had been the telegram which had arrived from
Mission Control while she slept - urging them to procreate. At the
time she had thought little about it (and had refused to obey, since
it came from the piggish, capitalistic Mission Control in Houston,
not the friendly, comradely Mission Control in Gdansk), but now
she began to wonder. After all, how did telegrams come to be delivered
several hundred million kilometres from home? There was something
very odd about the whole thing . . .
She gasped as realization hit her.
At once she looked up, and met Malone's slurred alcoholic
gaze. It was only too obvious that he was perfectly aware of the
thoughts that had been chasing each other across the uncharted wastes
of her mind.
He grinned impishly.
Oh no! she thought. Only a few weeks to live, and
I'm cooped up in here with a sex maniac!