Mortuary technician, Louise, blows the whistle on former lover, Eddie - a colourful and corrupt government minister.

Then his body is wheeled into her morgue.

She is torn between the new man in her life, the cool pathologist who performs the autopsy, and her obsession to bury all of Eddie, emotionally and physically … even his stolen heart, hidden in a jar behind her washing machine.

In a psychological chiller of suspicion, betrayal, paranoia and guilt, Morgellyn dissects the raging debate surrounding disposal and ownership of corpses and organs. But, more than anything, her book is a post mortem examination of relationships … relationships between the living and the dead.

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Louise Moon is in the removal business … removing bodies.

But when old Edith Mary is unceremoniously hurried to a pauper's grave, Louise finds herself haunted by the living and the dead.

Dogged by a psychotic stalker and ridiculed by her colleagues, Louise risks her career, her love and even her life to discover if unmourned Edith Mary - as anonymous and insignificant in death as she was in life - died of a simple stroke or was murdered.

In an absorbing sequel to her psychological chiller, Disremembering Eddie, Anne Morgellyn explores the meaning of death as seen through the eyes of those in the trade - disillusioned Louise, her cynical and ghoulish, sometime boyfriend, Chas the pathologist, the publicity-seeking show biz psychiatrist, the cost-obsessed corpse disposal boss, the time-serving coroner's officer, the shrewd undertaker.

Morgellyn lifts the shrouds from a fact of life we seldom have the courage to confront and lets us peer into the methods and minds of a shadowy cast of characters whose all-but secret business is death. Disturbingly entertaining. Uncomfortably honest. Unforgettably compelling. .

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